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-30-

by pony rabco

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1.
Sugar 04:49
sugar printed wishes on little candy hearts breakdowns and near misses, damned from the start sugar flavored kisses leave little candy scars shaking hopeless wisher on little candy stars driving all night crying, crying in the car pistol shot valentines leave little candy scars i know you’re tired, I know you’re tired you better wait a little longer for me i know you’re tired, everybody’s tired, and there’s not much left to believe in sugar printed wishes are the last thing that you’re going to need here’s a souvenir won’t mean a damn to you i guess that’s all right i guess that’s going to have to do spelling out your name on a little candy charm walking around all day, wondering where you are sugar flavored bracelet left little candy stains on my arm
2.
the picture taken at construction site the chainlink fence the fading light well it was hard to tell if it was going up or down the pictures they never came out right just roll after roll of white on white from that fucked up camera that you've been dragging around why don't you come after me when i'm walking down the street why don't you come after me i thought you wanted me another dream of a plane going down the crowd is calm as it spins to ground and in the fiery wreckage well there you are it's been one hundred and fifty-five miles a notebook later I'm whiskey eyed this is what i meant by fucking with the heart why don't you come after me when i'm walking down the street why don't you come after me i thought you wanted me a cab ride through chicago streets the sun is out but it's twenty degrees and in a neighborhood bar it's a nameless birthday a crowd of tall strangers talk about who we are and what we want but babe, i just can't do this today look who's leaving california why don't you come after me why don't you come after me when i'm walking down the street why don't you come after me but you said you wanted you said you wanted me why don't you come after me look who's leaving you said you wanted me
3.
headed for the landslide and a heart a heart like an alibi do you believe in love it feels just like home yeah it stings but you can't leave it alone serenades and telephone lines all this waiting this waiting to arrive it goes from bad to worse like everything you stole everyone is staring but you can't leave it alone window seats and runway scenes unexpected force of reentry you know it's time yeah you know it's time you know you will but you can't leave it alone
4.
Sleep 04:31
you settle down from the shaking you button up real tight the city goes right through you and nothing is ever alright in between the fevers you don’t ever look around there’s nothing here to believe so you slip out without a sound you smoke your way right through this you scan the room for change there’s always a few quarters left behind by the castaways come on baby i’m driving so you say your goodbyes a graceful wave and a photo-op with a permanent disguise san francisco sunset crammed in the rearview rolling through all the stop signs just rolling right on through there’s not much to say something descends on me i’ll be up a long long time so baby just go back to sleep i’ll be up a long long time don’t you worry about me
5.
sugar printed wishes on little candy hearts breakdowns and near misses, damned from the start sugar flavored kisses leave little candy scars shaking hopeless wisher on little candy stars driving all night crying, crying in the car pistol shot valentines leave little candy scars i know you’re tired, I know you’re tired you better wait a little longer for me i know you’re tired, everybody’s tired, and there’s not much left to believe in sugar printed wishes are the last thing that you’re going to need here’s a souvenir won’t mean a damn to you i guess that’s all right i guess that’s going to have to do spelling out your name on a little candy charm walking around all day, wondering where you are sugar flavored bracelet left little candy stains on my arm
6.
the picture taken at construction site the chainlink fence the fading light well it was hard to tell if it was going up or down the pictures they never came out right just roll after roll of white on white from that fucked up camera that you've been dragging around why don't you come after me when i'm walking down the street why don't you come after me i thought you wanted me another dream of a plane going down the crowd is calm as it spins to ground and in the fiery wreckage well there you are it's been one hundred and fifty-five miles a notebook later I'm whiskey eyed this is what i meant by fucking with the heart why don't you come after me when i'm walking down the street why don't you come after me i thought you wanted me a cab ride through chicago streets the sun is out but it's twenty degrees and in a neighborhood bar it's a nameless birthday a crowd of tall strangers talk about who we are and what we want but babe, i just can't do this today look who's leaving california why don't you come after me why don't you come after me when i'm walking down the street why don't you come after me but you said you wanted you said you wanted me why don't you come after me look who's leaving you said you wanted me
7.
headed for the landslide and a heart a heart like an alibi do you believe in love it feels just like home yeah it stings but you can't leave it alone serenades and telephone lines all this waiting this waiting to arrive it goes from bad to worse like everything you stole everyone is staring but you can't leave it alone window seats and runway scenes unexpected force of reentry you know it's time yeah you know it's time you know you will but you can't leave it alone
8.
you settle down from the shaking you button up real tight the city goes right through you and nothing is ever alright in between the fevers you don’t ever look around there’s nothing here to believe so you slip out without a sound you smoke your way right through this you scan the room for change there’s always a few quarters left behind by the castaways come on baby i’m driving so you say your goodbyes a graceful wave and a photo-op with a permanent disguise san francisco sunset crammed in the rearview rolling through all the stop signs just rolling right on through there’s not much to say something descends on me i’ll be up a long long time so baby just go back to sleep i’ll be up a long long time don’t you worry about me

about

What has been traditionally used by journalists to indicate the 'end of story', '-30-' has found a place as the title of the latest release from 'Pony Rabco'.

From demo tracks recorded in 2004 comes a fresh perspective as the band finds a moment to revisit and finish what was once left undone. While separated geographically, by a pandemic and life in general they were able to pick the gems left behind and produce and modern and mature perspective and possible closure. Bookended by almost two decades in-between recordings each song lives equally at either end while allowing the emotional journey to remain relevant and pull the timelines together. While the title of the release suggests the end of story this may have the opposite effect and be a new start.

Pony Rabco is:
M. Sorensen - Vocals, Guitar 
Jeff Desira - Bass, Guitar, Vocals, Melodica 
D. Ryon Wilhelm - Guitar, Bass, Keyboards, Vocals 

Featuring:
Steve Ginsberg - Piano, Organ, Keyboards 
Andy Nixon - Drums 

Recorded and Mixed at Public Hi-Fi  
Recording Engineer: Jeff Byrd 
Assistant Engineer: Grant Eppley 
Mastering: Randall Squires

credits

released August 27, 2021

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pony rabco Austin, Texas

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